![]() ![]() RVox: This is a no-nonsense compressor that just works.This will all change depending on the singer and microphone but this is a good place to start. Taking out some honky 500hz and some harsh 2k. Pro-Q2: Filtering out any low rumble, air-con noise, foot stomps from 50hz down.This is really subjective and my vocal chain changes all the time but you can't go wrong with the basics, eq and compression. These tracks go to their own bus corresponding to each section of the song so you can easily have separate control. As for the adlibs, these can vary on the type of music your recording but they often require different treatment again and you can get really creative with the effects here. I tend to like wider and airier and will sometimes have their own set of effects. Verse, Pre, Chorus, Bridge…īV’s will get slightly different treatment from the leads vocals. Logic has a similar feature but can create playlists automatically, it does organise them quite well, although you cannot name them as easily as Pro Tools.Įach section of the song has its own set of tracks and stereo bus e.g. This is useful for comping vocals quickly and keeping your track count down. The playlist feature in Pro Tools allows you to have multiple takes on the same track. This way, once you create a new playlist that will increment to 01 for take one, 02 for take two and so on. I will usually prefix each record track with the artist's name and suffix with 00. Here are my Verse tracks Stereo buss at the top with sends to FX. You’ll need to have your vocal tracks pre-named, your vocal chain assigned, and your sends ready for effects. I like to go with the 128 default busses and then start to create my own busses after that so they appear in the next layer of the buss menu.Īs you can see I have some dummy buses inserted to split between Master, FX, Vocals, this makes the menu much easier to navigate. This walkthrough is Pro Tools specific however, concepts and workflows shown here can be applied to any DAW.įirst things first, get your IO set up, this can take a while but you’ll only have to do it once. I’m going to share a few tips I’ve picked up from over the years and guide you through my vocal template. By having your vocal template in the bag you’ll be ready for anything they can throw at you and be one step ahead of the session. The key to running a smooth vocal session is the speed in which you can react to and implement the artist's instruction. ![]() ![]() This article is for anyone who is looking to refine their vocal tracking technique and take their vocal production to the next level. In this article, I will be running through my vocal tracking template and some tips and techniques designed to enhance your speed and efficiency while engineering a vocal session. This template uses 3rd party plug-ins from companies like Plugin Alliance, Sountoys, Waves, etc.Welcome to the first post in this series focussing on speeding up your DAW (Digital Audio Workstation) workflow. The artist mentioned has nothing to do with this product. Feel free to be creative and create your own sound.Īny suggestion, feel free to send me an email at always up to improve all the tools that I'm giving you here. The settings on the plug-ins may need to be modified for better results. This is only a startup guide where I've put all my experience. There's some creative stuff on ADDS section I think you may like! I put a Vocal Chain and some EFXs on Lead Auxes, BGVs and ADD auxes. Just play with it and adapt it to your workflow. I've tried to make it simple, however, there might be some advanced techniques that I use and I didn't want to leave them out from the template. I'm uploading two versions of it: the main version with every plug-in I use, and another one using the stock plug-ins. Songs like Tu Veneno, Otra Noche Sin Ti Ft. This is the template I've been using for over a year now.Įverything I've done with J Balvin this past year was recorded using this setup. ![]()
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